Pilot season is here! Are you ready? Casting director and director Paul Russell has a candid conversation with an industry-insider who offers tips for actors seeking on-camera bookings. A must read to begin a prosperous new year in acting!
HOME ABOUT LOCATIONS CONTESTS EVENTS GUEST SPEAKERS JOIN US Home Academic Programs Filmmaking Musical Theatre and Filmmaking in Rio Musical Theatre and Filmmaking in Rio Published on December 20, 2012 For more information , please contact us at brazil nyfa.edu Tweet Power of Introverts Click here to cancel . reply Leave a Reply Cancel reply Your email address will not be published . Required fields are marked Name Email Website Comment You may use these HTML tags and attributes : LET’S CONNECT BROWER POSTS BY CATEGORY Academic Programs 3D Animation Acting Broadcast Journalism Cinematography Digital Editing Documentary Filmmaking Film School Filmmaking Game Design Musical Theatre Online Courses Photography Producing Screenwriting Admissions Community Highlights Guest Speakers Road Show“How many dead brain cells does this moron possess?”
Yes, the last statement is immature but that is the inner monologue. And one that’ll kill an actor’s career. Because why would a director or casting director think of an actor for future casting when the prevailing perception of an actor is, “This actor hasn’t any self-awareness.”
HOME ABOUT LOCATIONS CONTESTS EVENTS GUEST SPEAKERS JOIN US Home Academic Programs December Open House This Saturday December Open House This Saturday Published on December 11, 2012 Have some time off before the Holidays Come in and check out one of New York Film Academy’s Open Houses in New York City , Los Angeles , or Australia We offer a variety of courses in filmmaking , acting , animation , photography , game design , and more . Plus , we have programs for students of all . ages Shoot us an email at film nyfa.edu or give us a call at 1 212 674-4300 Tweet Screening of Kinyarwanda Click here to cancel . reply Leave a Reply Cancel reply Your email address will not be published . Required fields are marked Name Email Website Comment You may use these HTML tags and attributes : LET’S98% of thespians I encounter quantifying themselves as artists are viewpoint blind actors.
Are you, as an actor, effectively communicating a viewpoint with each word you utter? Do you fully value viewpoints? It’s the rare actor that can make a single word layered with multiple variations of expression. In short; possess viewpoints simple or complex.
There are easy exercises to assist actors to be more effective on viewpoints.